Examples of using Controls include in English and their translations into Slovak
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Colloquial
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Official
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Medicine
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Financial
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Ecclesiastic
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Official/political
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Computer
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Programming
These controls include a landing function, which is kind-of important.
These controls include text boxes, list boxes, check boxes, and buttons.
The controls include Filter, Distortion and Volume, and together they offer versatile tonal shaping with ease.
Standard controls include the controls that you typically associate with collecting and displaying information.
The controls include a Level knob, Rate for the Chorus, Time for the Delay, as well as Depth in the Chorus mode and Feedback for the Delay.
The versatile modulation controls include Colour for adjusting the intensity of the Phaser and Flanger, and the waveform of the Tremolo effect.
The controls include Depth, Shape and Speed which are all conveniently placed in a line across the top of the pedal for easy access.
Other controls include Level, Drive, Tone and Low/High for the Drive section, and Level, Blend, Sustain and Tone for the Compressor section.
The controls include a Volume, Bright and Compression, which are all conveniently placed in a line across the top of the pedal for easy access.
The Filter's controls include Frequency for selecting the cutoff frequency in Hz and Output for controlling the volume of the filter effect section.
The Sub controls include Level for altering the output volume and Tone for adjusting the tonality of the Sub Octave for increasing the sound's depth and substance.
These controls include: Attack, Release, Ratio, Input and Output controls allowing you to fine-tune your compression level to suit your needs.
These controls include Volume, Speed and Tone for fine tuning the sound, and a Mode control which lets you select both the style and the drum pattern parameters.
The versatile modulation controls include Level which alters the effect mix, Rate for adjusting the speed of the effects and Depth lets you control the intensity.
The controls include Time for the delay length, Mix for the volume, Ratio for the tap tempo, Repeats ranges from one to infinite and Darken works as an EQ tonal control. .
The controls include a Mode Switch that lets you choose between either Fuzz or Distortion, as well as a Volume knob for adjusting the level of the Fuzz and is inactive in Distortion mode.
Additional controls include Dry for altering the unaffected signal's volume, Low Cut and High Cut adjust the frequencies of the Reverb, whilst Decay is for controlling the amount of decay on the reverb.
Biological controls include predator insects, like crabronid wasp and tachinid fly, as well as nematodes, which are best applied in early spring(Mar-Apr) or fall(Sept-Oct) for adult mole cricket elimination.
The Mooer MPH2's additional controls include a Speed knob for altering the rate of the modulation effect, and Color control which allows you to adjust the effect's tonality to either increase or decrease the depth and character.
The controls include Sensitivity for altering the response of the envelope filter in relation to the instruments input and the Q control alters the wah's Q, for a wider or narrower frequency band, and a taller or lower peak.
The highly adjustable controls include Level for altering the mix of the effect, Depth allows you to adjust the intensity, Width is for controlling how wide the frequency range is and Rate alters the overall speed of the effect.
Other easy-to-use controls include a Mix knob to control how much effect is on the signal, from clean to saturated, and Input& Output knobs to make sure you have control of your level from beginning to end.
The MSM1's other controls include a Mix knob for altering the level of the dry signal to the affected signal, Sample control is for adjusting the sampling rate, whilst the BIT knob controls the sampling depth.
Other controls include Modulation Depth for adding or reducing how deep the modulation is to the reverb, Modulation Rate allows you to adjust the speed of the reverb modulation and finally Shimmer enhances the reverb with a high pitched harmony.
The controls include Level for controlling the intensity of the boost, the Ratio control adjusts the ratio of gain and boost, whilst the Treble knob alters the high end frequencies and the Deep control varies the level of the midrange.
The controls include Input and Output knobs for the instrument and the microphone, and for tonal shaping the Ashdown Woodsman is equipped with Notch Frequency for adjusting feedback resonance, High and Low Bass/Treble EQ and a Reverb/Level control. .
Controls include 16 highly-sensitive, back-lit multi-coloured pads with velocity and after-touch, a master push encoder and 28 backlit pads and a high-contrast black and white display for clear visual feedback in the studio or on stage.
Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customisable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.
These controls include Volume which is self-explanatory, a Voice knob for altering the overall colouration of the overdrive, a Tone control that lets you adjust the brightness of the sound and finally there is also a Gain control for boosting the effect with a little more projection and crunch.
The controls include a Mode Switch for changing between the 3 effects, a Level knob which adjusts the effect's volume, a Body control which alters the resonance that the guitar has, and finally the Top knob is for shaping the harmonics and overall character, providing excellent flexibility.