Примеры использования Central nave на Английском языке и их переводы на Русский язык
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In the central nave of the basilica is a statue of St. Peter.
The chapel of Virgin Mary of the Ribbon is located at one end of the central nave.
The 13.5 m high central nave overlaps the side aisles, which are half as wide.
His aspect is sumptuously baroque due to restoration work following the earthquake in the 1703 which demolished the central nave, the cupola and the tambour.
Unusually the central nave has twin windows topped by an oculus.
The interior has its architectural elements demarcated by the coloration of the material, and the central nave with its ring of saints atop a balustrade is a novel design.
The central nave is blocked by the round vault, lateral- by intersecting vault.
The original thirteenth-century church consists of a central nave and two side aisles ending in a semicircular apse.
The central nave, higher pitched roof covered and ends much serving three-wall apse.
It is located in the arch- the transition between the central nave and the chapel of St. Anne and Joachim, on the image of St. Panteleimon.
The central nave houses the carved wooden iconostasis featuring geometric ornaments.
Spacious choir stalls occupy the western section of the central nave, two sections of the middle naves and side naves completely.
In the central nave and transept, choir stalls open up into an under-dome space with two arches, which are supported by intermediate columns.
The collection of unique auteur works located in the central nave on a podium is crowned by the Hymn to Glass composition that dominates the altar area.
The temple(known as a mithraeum), follows a typical plan of a narthex followed by the shrine proper that consists of a sunken central nave with podium benches on either side.
The northern and central naves of the church have the same width, while the southern is much narrower.
In the 14th- 15th centuries the Dome Cathedral was extended with construction of the west nave and side chapel,making the central nave of the premises higher and, thus, transforming the Dome Church into a basilica.
On the painting a central nave of a grandiose multidome construction with the internal space disclosing is visible.
Martin V himself was buried underneath an undecorated bronze floor slab, the only known example of a two-dimensional papal monument,although also the first to be set in the central nave of a major basilica, the Basilica of St. John Lateran in Rome, and cast in bronze.
The vaulting and decoration of the central nave is by Girolamo Rainaldi, who completed them in 1646-1658.
The central nave is separated from the aisles by a row of marbled columns on each side, above which are a series of Italian paintings depicting the life of Jesus, his apostles and a number of saints.
The abbot designed the church to have a central nave with two side aisles and five chapels attached to its apse and transept.
The media reported that the transfer was postponed for an indefinite period, as the diocese and the museum reached a mutually satisfactory arrangement to increase the number of services in the cathedral andto transfer the holiday services from the side nave to the central nave. .
In 1538, the lantern tower of the central nave was built by Martín de Montalbán in the Plateresque-Mudéjar style.
The 19 metres(62 ft) high central nave is surrounded by a walkway at 9 metres(30 ft) height, allowing visitors a closer look upon the palm tree crowns.
The large riza-covered cross,which hangs next to the image of Jesus in the central nave iconostasis, contains a piece of the rope that was used to tie Jesus to the cross.
The inner walls of the central nave had to be reinforced in the 11th century, as, in the transition from"pre" to Romanesque, the wooden gabled roof was replaced with the traditional, and much heavier, stone barrel vault.
De Keyser designed the church as a pseudo-basilica in Gothic style, with a central nave and two lower side aisles, six bays long, with Tuscan columns, timber barrel vaults and dormers.
The central portion, the central nave, separated by pilasters with original high capitals and finished smooth Abris shield with the two currencies on the sides.
Internally, the building is in the shape of a Latin Cross, with central nave and an aisle on either side, divided by arcades of seven semi-circular Romanesque arches resting on columns with simplified Corinthianesque capitals.