Примери за използване на Producers of phonograms на Английски и техните преводи на Български
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Producers of phonograms in their recordings;
The Protection of Performers Producers of Phonograms and Broadcasting Organisations.
Producers of phonograms over their recordings;
Chapter IV of the WPPT contains common provisions for performers and producers of phonograms.
The rights of producers of phonograms shall expire 50 years after the fixation is made.
International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations.
The rights of producers of phonograms shall expire 50 years after the fixation is made.
Each Contracting State shall grant national treatment to producers of phonograms if any of the following conditions is met.
Producers of phonograms have the rights to allow or restrict the direct or indirect reproduction of their phonograms. .
Convention for the Protection of Producers of Phonograms Against Unauthorised Duplication of Their Phonograms. .
Producers of phonograms enjoy the right to authorize or prohibit the direct or indirect reproduction of their phonograms. .
We do not administer neighbouring rights of performing artists and producers of phonograms and music video recordings on the internet.
Producers of phonograms, who have the right to authorise or prohibit the direct or indirect reproduction of their phonograms. .
The Geneva Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of their Phonograms(1971).
Producers of phonograms shall enjoy the right to authorize or prohibit the direct or indirect reproduction of their phonograms. .
Desiring to develop andmaintain the protection of the rights of performers and producers of phonograms in a manner as effective and uniform as possible.
(b) to producers of phonograms who are its nationals, as regards phonograms first fixed or first published. on its territory;
The Contracting States, moved by the desire to protect the rights of performers, producers of phonograms, and broadcasting organisations.
Convention for the protection of producers of Phonograms against unauthorized duplication of their Phonograms of October 29, 1971 onwards;
The Diplomatic Conference on the International Protection of Performers Producers of Phonograms and Broadcasting Organizations.
In respect of the rights of performers, producers of phonograms and broadcasting organizations not provided under this Agreement;
Article 3 provides that contracting countries shall accord the protection provided under this treaty to the performers and producers of phonograms who are nationals of other contracting parties.
(21) Whereas it is necessary to ensure that protection for authors,performers, producers of phonograms and broadcasting organizations is accorded in all Member States and that this protection is not subject to a statutory licence system;
Contracting Parties shall apply the provisions of Article 18 of the Berne Convention, mutatis mutandis, to the rights of performers and producers of phonograms provided for in this Treaty.
The term of the protection available under this Agreement to performers and producers of phonograms shall last at least until the end of a period of fifty years computed from the end of the calendar year in which the fixation was made or the performance took place.
Nothing in this Treaty shall derogate from existing obligations that Contracting Parties have to each other under the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations done in Rome, October 26, 1961(hereinafter the“Rome Convention”).
The nationals of other Contracting Parties shall be understood to be those performers or producers of phonograms who would meet the criteria for eligibility for protection provided under the Rome Convention, were all the Contracting Parties to this Treaty Contracting States of that Convention.
Relation to other conventions 1. Nothing in this Treaty shall derogate from existing obligations that Contracting Parties have to each other under the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations done in Rome, October 26, 1961(hereinafter the"Rome Convention").
Irrespective of paragraph 1, any Member State may provide for the same kinds of limitations with regard to the protection of performers, producers of phonograms, broadcasting organizations and of producers of the first fixations of films, as it provides for in connection with the protection of copyright in literary and artistic works.
Contracting Parties shall accord the protection provided under this treaty to the performers and producers of phonograms who are nationals of other Contracting Parties.