Examples of using Typeface in English and their translations into Korean
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Colloquial
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Ecclesiastic
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Ecclesiastic
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Programming
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Computer
Infobox typeface.
This typeface is used for all cities and towns.
Virtual typeface.
Use a bold, easy-to-read font or typeface.
Infobox typeface.
Click the type in the Library panel to apply the typeface.
Or you change the typeface to something like this.
But her main interest was always in typeface design.
Choose font, size, typeface, color, opacity, and angle.
Within these manuscripts, book designers focused heavily on typeface.
This typeface has three styles and was published by Hanoded.
Thinking Outside The Typeface Box.
This typeface is an integral part of our visual identity and should not be changed or substituted.
Archia is a modern architectural typeface in six styles.
The text style includes foreground andbackground colors, edge properties, and typeface.
Because they were not intended to be the“free-standing” typeface families that they are today.
The price of“bulletproof” fonts usually reflects their quality and starts at 50$ per typeface.
Trajan is serif typeface of old style and it was designed by Carol Twombly in 1989.
Provides enumeration support for FontFamily and Typeface objects.
This remarkable typeface first appeared in 1932 in The Times of London newspaper, for which it was designed.
Optima™ was designed by Hermann Zapf and is his most successful typeface.
It looks like 1960s and 70s fashion and sport related typeface, unique and fun at the same time.
Most of the typeface collections listed here can be used in your projects for free, but please be sure to check the terms.
In fact, this whole system carries through with the way that the typeface was designed.
The raster rendering of a font(or typeface) is not subject to copyright in the U.S., and therefore is in the public domain.
Avenir Next font is part of the platinum series and comes in four typeface units.
Fjord is a serif typeface, originally designed with printed books in mind, and particularly intended for long texts in small print sizes.
One of the great features of San Francisco is the way it optimizes the typeface dynamically.
The general rule is that a serif typeface is easier to read in print, while a san serif typeface is easier to read on screen.
The creatives chose the sans serif Madera font from French typeface designer Malou Verlomme.