Examples of using Celluloid in English and their translations into Turkish
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Colloquial
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Ecclesiastic
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Ecclesiastic
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Computer
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Programming
Celluloid is patented.
It's used to make celluloid.
It's celluloid, isn't it?
An incoherent waste of celluloid.
A celluloid atomic submarine.
And then, man said,"Let there be celluloid.
Waste of celluloid."An incoherent, stupid.
An incoherent, stupid waste of celluloid.
I think celluloid is still gonna be a choice.
Episode 2 entirely without using celluloid.
Charred celluloid… where would that come from?
The most vile and offensive stock of celluloid.
Claire Denis was using celluloid in a non-masculine way in the 1990s.
So I made the first few films on celluloid.
Celluloid made film and film shows the world… what it doesn't wanna see.
The days blend together like melted celluloid.
What it doesn't wanna see. Celluloid made film and film shows the world.
For a 100 years movies had been shot on this: celluloid.
I have seen those pieces of shit, those celluloid abortions… that you call movies?
Star Wars: Episode 2 entirely without using celluloid.
Coconut fibers, fishing line, cork, celluloid, flax, platinum, iron, nickel, copper, steel.
It was it was like touching a piece of plastic, a piece of celluloid.
Coconut fibers, fishing line, cork, celluloid, flax, platinum, iron, nickel, copper, steel.
And flax and platinum and iron, nickel, copper, steel.Coconut fibers and horn shavings and fishing lines and cork and celluloid.
And platinum, iron, nickel, copper, steel. and cork and celluloid and flax Coconut fibers and horn shavings, and fishing lines.
And platinum, iron, nickel, copper, steel. Coconut fibers and horn shavings, and fishing lines and cork and celluloid and flax.
And cork and celluloid and flax and platinum, iron, nickel, copper, steel. Coconut fibers and horn shavings.
Jump from Copenhagen to this train in France in the'90s celebrating truth and celluloid, reacting, like Lars von Trier, against glossy fantasy cinema, and you find a bunch of French-language directors.
Claire Denis was using celluloid in a non-masculine way in the 1990s and so was the Polish director of this film, Dorota Kedzierzawska.
And I was straight at them with my celluloid camera. What was interesting is how confused they were, from a different perspective because you were actually shooting digital video.
