Examples of using Velázquez in English and their translations into Czech
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Colloquial
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Official
Velázquez is the best.
You have heard of Velázquez?
Velázquez is always late.
I am the great Diego Velázquez.
Velázquez is always late.
You have to go see Velázquez. No.
Diego Velázquez want to do with you.
Tell me, maestro,do you like Velázquez?
Velázquez has gone to meet Goya.
Of course he's bloody good,he's Velázquez.
Who? Velázquez was a master beyond reach.
Master, do you like Velázquez?-Cheers!
Consuelo Velázquez wrote it when she was 16 years old.
There's only one art, andfor painters that is the art of Zurbarán and Velázquez.
This is the sketch that Velázquez made of Díaz Bueno.
No velvet rope, no closed doors,no VIP entrance can ever keep Daniela Velázquez… out.
Let's see, I recruited Velázquez two years ago, in 1634.
Is the way he paints the spaces in between objects. Yes, but the thing I love about Velázquez the most.
I recruited Velázquez two years ago, in 1634.- Let's see.
Makis Warlamis's paintings reflect the profundity of the 2,000-year-old story andintegrate fragmentary images by such great masters as El Greco, Velázquez, Caravaggio, Raphael and Rubens.
Yes, but the thing I love about Velázquez the most is the way he paints the spaces in between objects.
Velázquez is the painter of the evening, of open spaces and of silence, even when he paints in broad daylight or in a closed room, even with the din of battle or of the hunt in his ears.
Today's my lucky day,first I meet Velázquez and now Captain Alatriste.
This year, Czech photography was represented by František Drtikol, with a small exhibition of his Modernist nudes dating to the years 1923-1929 being held at the San Fernando Royal Academy of Fine Arts, in an immediate proximity to works by artists such as El Greco, Giuseppe Arcimboldo, Francisco Goya,Diego Velázquez and Juan Gris.
Today's my lucky day, first I meet Velázquez and now Captain Alatriste.
There is no better Western painter who could participate in such a dialogue, because dialogue is at the heart of his work:a dialogue with the everyday world around him- the traditions of art in the West, from Velázquez to Matisse, but also with the cultural traditions of Asia.