Приклади вживання To the portrait Англійська мовою та їх переклад на Українською
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Strokes to the portrait.
Viacheslav Prykhodko. Strokes to the portrait.
But back to the portrait itself.
How does that add anything to the portrait?
What happened to the portrait is not known.
One after another, alternately apply the  layers of brush strokes to the portrait.
Moving on to the portrait.
Finally dawned on me inspiration, I started well and finished the  inscription to the portrait of Rurik.
Brushstrokes to the Portrait p.
New features to the portrait of Volodymyr Matviyishyn: translation studies and conversational speech77-84.
A few strokes to the portrait.
Strokes to the portrait of Ukrainian artist Ivan Marchuk magazine"Ukrainian language and literature in the  modern school»,№6, 2012.
Winston turns to the portrait.
Read in Arthive: Strokes to the portrait: 10 thrilling stories about Francis Bacon In September,the  Pushkin Museum will open the  exhibition“Russian Jordaens”- paintings by Jacob Jordaans that Empress Catherine II bought to  decorate the  Hermitage.
He turned back to the portrait.
Pay attention to the portrait of a French writer.
It turns out that a different attitude towards the  sciences- not just a separate stroke to the portrait of a person.
Creative touches to the portrait of the  creator of arms.
Another stroke to the portrait is almost completely formed nails.
In General,the  difference of tobacco from the  tobacco in the  everyday sense the  end, to the portrait of both remains to  add only a few touches.
These are only a few touches to the portrait of the  self-proclaimed interim criminal Crimean so-called"leadership",” he said.
If the  background is interesting and adds to the portrait, then it should not be ignored.
Historically, the  curators of the  Teylers Museum were not drawn to the portrait genre, so they did not acquire self-portraits by Dutch artist of the  period of Romanticism, and those ended up in other collections, such as the  local Hals Museum and the  Rijksmuseum in Amsterdam.
He is shown in profile, which corresponds to the portrait in the  previous miniature.
Is this not one of the  most important touches to the portrait of the  cultural capital of Europe?
And in the  result we get what makes us alike, what, in principle,is a stroke to the portrait of a contemporary in general sense of the  word-the  Man of the  21st century with all its achievements, faults, perspectives, rhythms.
According to the  Frick library, he owned work by"David, Gainsborough, Rembrandt, Reynolds, and Rubens, Alexander H Wyant, Corot and Daubigny".[2]The"work by David" referred to the Portrait of Charlotte du Val d'Ognes, which at the  time of the  bequest in 1917 was still attributed to  Jacques-Louis David, but since 1995 has been attributed to  Marie-Denise Villers.