Examples of using Expressionists in English and their translations into German
{-}
-
Colloquial
-
Official
-
Ecclesiastic
-
Medicine
-
Financial
-
Ecclesiastic
-
Political
-
Computer
-
Programming
-
Official/political
-
Political
Bad Boys" no longer were abstract expressionists painters.
Those abstract expressionists love to not name their paintings in fact, it's sort of a modernist problem.
It was in the US that he encountered Abstract Expressionists such as Kline, Motherwell, and Rothko.
The Museum Wiesbadenenjoys international recognition for its outstanding collections Expressionists.
Some painters adopt the style of the Impressionists, Expressionists, or the Cubist without copying a specific painting of these past movements.
People also translate
Dinie Boogaart is a great admirer of the painter Käthe Kollwitz(1867-1945),who is regarded as one of the most important German expressionists.
Working visits and exhibitions by leading Expressionists and the connection to the Weimar Bauhaus left their mark on the city's artistic life.
The highlights are the highly acclaimed Rubens Gallery,paintings by the Düsseldorf school of painters, Expressionists and Informalists, as well as works by the ZERO movement.
Think of the immense influence that Japanese art shown at early expos had on the development of European art orhow African art thrilled the Dadaists and expressionists.
Another focus is on the nude self-portraits of the Expressionists Egon Schiele and Richard Gerstl as well as the change in the perception of naked men after 1945.
His landscapes, still-lifes andportraits allow us to explore the artistic evolution of one of the most important European Expressionists of the interwar years.
With the help of radically subjective image formulas andintense colors, the Expressionists laid the foundation stone for our modern understanding of the artist in society.
It focuses on landscape and at the same time on the history of art,because it shows the landscape around Worpswede that inspired even early Expressionists.
In the Belvedere the permanent collection of important impressionists and expressionists is shown and finally I could admire Gustav Klimt's portrait of the beautiful Judith Holofernes….
The sculptor, graphic artist and dramatist Ernst Barlach(born on January, the 2nd 1870 in Wedel/ Holstein, dead on October, the 24th 1938 in Rostock)belongs to the important German expressionists.
The impressionists, one could say in coarse shortening, findthe way back from the studios in the free nature, however, the expressionists discover the large city and its people as a central motive.
Most museum rarities- it works expressionists and postekspressionistov. Also among the exhibits you can see works of decorative art made in the Art Nouveau architecture of various items and unique pictures.
Gösta Adrian Nilsson, known as GAN in his homeland, created the piece after time he had spent in Germany,where he first discovered the works of Europe's modernists, expressionists, futurists and cubists.
While Georg Heym had already anticipated the horror in a visionary way in Der Krieg(The War)in 1911, many Expressionists went enthusiastically to war and celebrated it in their poetry, as Ernst Stadler did in his poem Der Aufbruch(The Departure) 1914.
I made the acquaintance of: Dr. Thormaehlen Ludwig Thormaelen(1889-1976), at the Nationalgalerie Berlin from 1914 until 1933, was assistant to Ludwig Justi and curator from 1925 on. He was part of Stefan George's circle offriends and was close to Erich Heckel and other Expressionists.
For example, Timur Si-Qin,who as a commentary to the heroic gesture of abstract expressionists issuing forth from the subject, skewered plastic bottles of the men shower gel AXE onto a Samurai sword and had the content run down to the floor in banal Pollockesque puddles.
He provided a clear picture of the outset with the French Impressionists and the new start he made after World War I with the Brücke andSturm groups of artists, the Expressionists and modern art from the Rhineland district- French art could not be sold immediately after the war.
Impressionists such as Claude Monet, Edgar Degas, Max Liebermann,Max Slevogt and Expressionists such as Otto Dix, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff take visitors on a tour of modern art history right up to the time of Gerhard Richter, Sigmar Polke and Georg Baselitz.
In the 1920s an ever-growing number of books were published, especially as part of avant-garde movements such as the Italian Futurists,Russian Constructivists and Suprematists, exponents of Bauhaus, German Expressionists and Dadaists.
In the 1920s an ever-growing number of books were published, especially as part of avant-garde movements such as the Italian Futurists, Russian Constructivists and Suprematists, exponents of Bauhaus,German Expressionists and Dadaists. Books were regarded as media that could both provide a network of communication between artists and a way of bringing art to a wider public.
From the mid 1920s onwards, German Expressionists, representatives of New Objectivity, members of the Bauhaus and the Blauer Reiter group of artists- such as Paula Modersohn-Becker, Max Beckmann, Karl Hofer, Willi Baumeister, Max Ernst, Rudolf Grossmann, Rudolf Levy, Paul Klee, Maria Lani, George Grosz, Oskar Schlemmer, Wassily Kandinsky and Edvard Munch- were increasingly shown at the galleries in Düsseldorf and Frankfurt.
S§xэTpыiф" whether it is necessary to be surprised that for them the smoke of furnaces Majdaneka has clouded the sun, and the music telling about this world,choked and music of their predecessors- expressionists in which consciousness remained"=юыiъю" shouted more loudly and more desperately, than; First World War pictures.
From Germany to Russia and back again: in January, Deutsche Bank is present in Moscow with two exhibitions: Masterpieces from the Deutsche Bank Collection can still be seen through January 16 at the Pushkin Museum under the title From a German Perspective andranging from German Expressionists such as Emil Nolde and Ludwig Kirchner to the Leipzig-based painting star Neo Rauch.
Verlegerinnenleben"(The life of female publishers) tells the story of Elisabeth Raabe and Regina Vitali, who, with a great passion for literature and book-making, revived the Zürcher Arche Verlag- the publishing house of Ezra Pound, Gertrude Stein,the dadaists and expressionists- and turned it into one of the fine literary addresses in the German-speaking world in the quarter century since the fall of the Berlin Wall and German reunification, In cooperation with edition momente.
With the works of over 120 artists from the Deutsche Bank Collection, the show illuminated the various facets of 20th-century landscape painting, at the same time providing insight into the bank's collecting history-from the German Impressionists and Expressionists and carrying through the new abstraction of the post-war era to the contemporary movements.