Examples of using Continuo in English and their translations into German
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For recorder and continuo.
Basso continuo, harp and theorbo parts Händel G. F.
For 2 traverse flutes and continuo.
Concerto for three violins, strings and continuo in F major from Musique de Table TWV 53:F1.
For recorder, viola da gamba and continuo.
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Portativ pipe organ for Continuo with three stops.
For recorder, traverse flute, violin and continuo.
Concerto for strings and continuo in E minor RV 134.
Instrumental part(Vi and Cornetto), figured continuo;
Concerto for organ, strings and continuo in F major HWV 295.
Instrumental part(2 vi and trombone), figured continuo;
Concerto for violin, strings and continuo in A minor BWV 1041.
Dominus illuminatio mea for choir, strings and continuo.
Sonata a 5 for violin, strings and continuo in B flat major HWV 288.
For two violins,viola da gamba or viola and basso continuo.
The first interval in the voices and the continuo is the same as in the chorale.
Handel is believed to have composed seven sonatas for violin and continuo.
Concerto for three violins, strings and continuo in F major TWV 53:F1.
The continuo is on the Harpsichord, the Theorbo or the Guitar, either together or separately.
Concerto for violin, organ, strings and continuo in D minor RV 541.
Instrumenten ohne und mit dem Basso Continuo"(1641, Rostock)*Vocal Music**"Erster Theil Geistlichen Concerten für 2- 4 St. und B. c.
Sinfonia melodica for two oboes, bassoon, strings and continuo in C major TWV 50:2.
Canon and Gigue in D major for three Violins and Basso Continuo is a musical composition written in the seventeenth century- in the form of canon- by the German religious and musician Johann Pachelbel.
Concerto for trumpet, violin, strings and continuo in D major TWV 53:D5.
Scoring and structure==The cantata in six movements is scored for three vocal soloists-soprano, alto and bass-a four-part choir, two horns, timpani, two flauto traverso, two oboes, two violins,viola and basso continuo.
The group defi nes itself as an ensemble of variable shape, comprising solo voices augmented by continuo and instrumental accompaniment as necessary.
In addition to his concert activities as cornettist and continuo player, he taught the discipline of“Historical Music Theory” from 1995 to 2013 at the Musikhochschule Trossingen, where he received the title of professor in 2008.
Additional option for advanced musicians: lute consort, basso continuo, medieval ensemble.
The art of composing quartets for three solo instruments and continuo was mastered by no one more perfectly in the late baroque than Georg Philipp Telemann.
The present critical consensus suggests that the basso continuo would accompany the passages marked Tutti, and be silent in those marked Soli17.