Examples of using Soderbergh in English and their translations into Chinese
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Soderbergh emphasized this point.
德尔索尔多强调了这一点。The director of the movie is Steven Soderbergh.
整个系列的导演都是StevenSoderbergh。Soderbergh's latest directorial venture is the 2017 film Logan Lucky.
Soderbergh最新的导演是2017年的电影LoganLucky。Would prove to be one of the most notable years in Soderbergh's career.
将被证明是Soderbergh职业生涯中最值得关注的年份之一。The first problem, Soderbergh said, is the lack of a reverse shot in virtual reality.
I have worked with the Coen brothers and Soderbergh and Alexander Payne.
我和Coen兄弟以及StevenSoderbergh和AlexanderPayne一起工作过。Soderbergh, for his part, has agreed to spend a couple of hours coughing up answers.
对于索德伯格来说，他已经同意花几个小时来给出答案。He started a collaboration with director Steven Soderbergh that resulted in the films Out of Sight.
他开始协作与导演史蒂文·索德伯格，导致电影出的景象.Soderbergh and Warner Brothers will no doubt be hoping that history does not repeat itself.
毫无疑问，索德伯格和华纳兄弟希望历史不会重演。National Society of Film Critics also voted Soderbergh and del Toro as Best Director and Best Supporting Actor.
国家影评人协会同样投票选择索德伯格和德尔·托罗分获最佳导演和男配角奖。Soderbergh, who had seen the mini-series in 1990, started looking for a screenwriter to adapt it into a film.
索德伯格曾于1990年看过这部电视剧，他开始寻找一位剧作家来将之改编为电影。Nolan made the film on a budget of $46 million, and Soderbergh and George Clooney signed on as executive producers.
诺兰这一次有了4600万美元的制作费用，而索德伯格和乔治·克鲁尼都签约成为执行制片人。Our first movie was nonlinear and riotous, absurdist in tone,the kind of movie only Steven Soderbergh would respond to.
我们的首部影片是非线性和不受约束的，荒诞主义基调，是那种只有史蒂文·索德伯格才会回应的电影。The first problem, Soderbergh said, is the lack of a reverse shot in virtual reality.
Soderbergh说，他们面临的首要问题就是虚拟现实中没有反向拍摄。Trying to make this relationship as believable and realistic as we could," Soderbergh told a news conference, flanked by Douglas and Damon.
试图让这种关系尽可能可信和现实，并且rdquo;索德伯格在道格拉斯和达蒙两侧的新闻发布会上说。This time, it was Soderbergh he turned to-“He's the smartest, fastest editor-filmmaker I know.”.
这次他找的是索德伯格----“他是我认识的最聪明最利落的电影剪辑和导演。Despite its less than ideal critical reception, Soderbergh considers Ocean's Twelve to be his favorite of the three films.
十二是第一尽管其不理想的批评接待，Soderbergh认为海洋的十二是他最喜欢的三部电影。Steven Soderbergh had been interested in making a film about the drug wars for some time but did not want to make one about addicts.
史蒂文·索德伯格一直有兴趣拍摄一部有关毒品战争的电影，但也不想拍成又一部有关瘾君子的作品[6]。Mechanic had also wanted to make some changes to the script, but Soderbergh disagreed and decided to shop the film to other major studios.
麦康尼克还打算对剧本作一些改动，不过索德伯格没有同意，并决定还是继续寻找其它电影公司来发行。Director Steven Soderbergh told journalists at TCA in January that he had sought out to tell the story of a"real" relationship.
导演史蒂文·索德伯格在一月的电视评论家协会（TCA）上曾对记者说，他试图展现两人最“真实”的关系。Davis appeared in numerous films, including three films directed by Steven Soderbergh- Out of Sight, Solaris and Traffic, as well as Syriana, which Soderbergh produced.
戴维斯出现在无数的电影,包括史蒂芬索德伯格执导三部电影-视线之外,Solaris和交通,以及辛瑞,其中生产索德伯格.Earlier in 2001, Soderbergh became only the third person ever to receive two Academy Awards nominations for Best Director in the same year.
年早些时候，索德伯格成为仅有的第三位在同一年获得两项奥斯卡奖提名的最佳导演。Soderbergh had earlier announced that the psychological thriller“Side Effects” would be his last feature distributed to movie theaters.
索德伯格早些时候说心理惊悚片《副作用》(SideEffects)会是他最后一部在影院放映的电影长片。Echoing statements made last month, Soderbergh said he will find it difficult to return to conventional filmmaking after relying on Apple's device for principle shooting.
Soderbergh回应了上个月的声明，他说在使用苹果的设备进行主要拍摄后，他将很难回到传统电影制作中了。Soderbergh told The Verge the technology that powers the interactivity shouldn't be a distraction from the most important part of the series: the story.
索德伯格说，互动技术不应该成为该系列最重要的部分--故事--的障碍。Soderbergh does not use type-cast pharmaceutical executives or politicians as villains, but instead portrays bloggers such as Krumwiede in a negative light.
索德伯格不以制药人员或政客铸造反派，而是从负面角度描绘了克伦韦德之类的博客写手。Soderbergh repeatedly uses the cinematographic style of lingering and focusing on the items and objects which are touched by the infected and become vectors(fomites) to infect other people.
索德伯格惯用缠绵的电影风格，聚焦于被感染者触碰的物件，成为感染其他人的载体。Soderbergh was originally hoping to also film in mainland China, though Moviefone journalist David Ehrlich believed that permission from the Chinese government was unlikely to be forthcoming.
索德伯格原本希望能在中国大陆拍电影，尽管Moviefone记者大卫·埃里希认为，中国政府不太可能让本片上映。
